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Thanks to “sophistiratchet #blackademic beast from/in/of New Orleans” Terri Coleman for highlighting this publication on her Facebookistan page. Cultural appropriation is so constant in colonial economies that artists are forced to enthusiastically participate in maintaining its dominance.  The artists in this issue intelligently and sensitively address how labor as a commodity when it comes to creating and sharing art assists that frame of events.

How can we account for all of the invisible labour that’s required for us to do our so-called radical work? Informed by intersectional and materialist feminisms, Issue 01 foregrounds forms of labour that go unrecognized in the white spaces of contemporary and media art worlds. This issue is concerned with the before, the after, the behind-the-scenes, and the off-camera. How much not-art is required to make the art? What’s the cost and who puts their life on the line? Without reducing all forms of life to labour, the works featured in this issue allow us to think value differently, to acknowledge all that we do to keep ourselves and our communities vivacious and resilient.

Source: Issue One: Invisible Labour | mice cms


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