15 photos of New Orleans street performers

Tags

French Quarter, gig, informal economy, outsider culture

This slideshow of FQ buskers includes a few of the most known and constant performers over the last 35 years. For many of these photos, the scene is so recognizable to me that it is possible that my teenaged self was just off the side, sitting on the ground, taking it all in. To this day, the interaction with and observation of public street performers and hustlers remains a valued part of my daily life.

 

Juggling, dancing, playing music or freezing in time, performers have been a part of the French Quarter landscape for decades.

15 photos of New Orleans street performers | NOLA.com

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Issue One: Invisible Labour | mice cms

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capitalism, labor organizing, outsider culture

Thanks to “sophistiratchet #blackademic beast from/in/of New Orleans” Terri Coleman for highlighting this publication on her Facebookistan page. Cultural appropriation is so constant in colonial economies that artists are forced to enthusiastically participate in maintaining its dominance.  The artists in this issue intelligently and sensitively address how labor as a commodity when it comes to creating and sharing art assists that frame of events.

How can we account for all of the invisible labour that’s required for us to do our so-called radical work? Informed by intersectional and materialist feminisms, Issue 01 foregrounds forms of labour that go unrecognized in the white spaces of contemporary and media art worlds. This issue is concerned with the before, the after, the behind-the-scenes, and the off-camera. How much not-art is required to make the art? What’s the cost and who puts their life on the line? Without reducing all forms of life to labour, the works featured in this issue allow us to think value differently, to acknowledge all that we do to keep ourselves and our communities vivacious and resilient.

Source: Issue One: Invisible Labour | mice cms

 

About mice

The Man With The Beautiful Eyes-Bukowski

Tags

outsider culture

they had been
afraid of
the man with the
beautiful
eyes.

and
we were afraid
then
that
all throughout our lives
things like that
would
happen,
that nobody
wanted
anybody
to be
strong and
beautiful
like that,
that
others would never
allow it,
and that
many people
would have to
die.